For this month, I wanted to offer up a case study of inspiration. There is this magnificent old jingle dress, made by Mary Bigwind from White Earth over 80 years ago, stuck in my mind. It was a simple sleeveless dress, with less than 5 rows of tin cone jingles on black velvet. It’s so chic and elegant, but also, you can feel the healing power vibrating out of the image.
I’m sure most of you are familiar with the origin story of the jingle dress - it was borne out of sickness as regalia to accompany a healing dance learned through a vision. The older dresses featured engraved snuff can lids that were recycled and wrapped into cones: the sound they made, as well as the light they reflected, was reminiscent of water lapping on the surface of lakes.
For Ojibwe people, my people, and the originators of the dance, bodies of water were places of importance - journeymen offered tobacco to the waterbeings for a safe travel, fishermen did the same for a prosperous hunt. These lakes housed sacred spirits, who would offer us powerful gifts of copper. The worlds of the human beings, and the other-than-human beings, intertwined.
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